Crossacks 2
Author: g | 2025-04-25
Volume 10Enclosed Control CA EOctober 2025 www.eaton.com V10-T2-3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 NEMA Contactors and Starters 2.1 Freedom We could write this more compactly using exponential notation. Exponential notation is used in algebra to represent a quantity multiplied by itself several times. We write 2 2 2 2 2 2 as 2 3 2 3 and 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 as 2 9. 2 9. In expressions such as 2 3, 2 3, the 2
2^2^2^2^2 - Wolfram
I worked out a few myself, any bars can be ignored.X:1T:MarioZ:Earacorn of MeneldorM:4/4L:1/8Q:108E/2 E/2 z/2 E C/2 |E G z/2 G,2 |C z/2 G, z/2 E, z/2 A,/2| B, ^A,/2 A, z/4 G, |E G/2 A F/2| G E C D/2 |B,z2 C z/2 | G, z/2 E, z/2 A,/2 B, |^A,/2 A, z/2 G, E| G/2 A F/2 G |E C D/2 B,|z2 G ^F/2 |F/2 ^D E/2 z/2 A,/2| A,/2 C A,/2 C |D/2 z G ^F/2 F/2| ^D E/2 c c/2 c z |G ^F/2| F/2 ^D E/2 z/2 A,/2 A,/2 |C A,/2 C D| z ^D2 D2 C2 z/2|C/2 C/2 C | C/2 D E/2 C A,/2 | G,2 C/2 C/2 C C/2 | D E/2 z2 C/2 C/2 C C/2 D E/2 |C A,/2 G, z |E/2 E/2 z/2 E/2 z/2 C/2 |E G2 G,2 z/2 E/2 C/2 z/2 G,|G,/2 z/2 A,/2 F F/2 A,| z/2 B,/2 A A/2 A G F/2| E/2 C A,/2 G, z/2 E/2 C/2| z/2 G, G,/2 z/2 A,/2 F| F/2 A, B, z/2 F F/2| F E D C2|X:1T:ZeldaZ:Earacorn of MeneldorM:4/4L:1/8Q:108^A,2 F,2 F, ^A,/2 C/2 D/2 ^D F/2 F2 z/2F ^F/2 ^G/2 ^A z ^A ^A/2 ^G ^F/2 ^G ^F/2 F2 z/2 F2 ^D ^D/2 F/2 ^F z/2 F ^D ^C ^C/2 ^D/2 F z/2 ^D ^C C C/2 D/2 E z/2 G2 F F,/2 F,/2 F,/2 z/2 F,/2 F,/2 F,/2X:1T:Fur EliseZ:Earacorn of MeneldorM:4/4L:1/8Q:108E ^D E ^D E B, D C A, C, E, A, B, E, ^G, B,. Volume 10Enclosed Control CA EOctober 2025 www.eaton.com V10-T2-3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 NEMA Contactors and Starters 2.1 Freedom We could write this more compactly using exponential notation. Exponential notation is used in algebra to represent a quantity multiplied by itself several times. We write 2 2 2 2 2 2 as 2 3 2 3 and 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 as 2 9. 2 9. In expressions such as 2 3, 2 3, the 2 Volume 4Circuit Protection CA EMarch 2025 www.eaton.com V4-T 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Molded Case Circuit Breakers 2.4 Definite Purpose Catalog Number Selection Notes 1 Not available on GP-Frame. 2 When choosing a molded case switch, select the highest amperage rating for the frame and the standard interrupting rating. 0:00 2- 2- 2- 2- 2-4 No Balloon1:12 2- 2- 2- 2- World 2 Secret Exit a =$ 2 $ 2 $ - b - 2- = = $ ; $ (' $ 2 $ a ;2 $ zq b l $ $ 2 =2 Ex1.5, 2 Simplify each of the following expressions: (iii) ( 5 2)2 ( 5 2)2 We know that (a b)2= a2 b2 2ab where a = 5, b = 2 = ( 5)2 ( 2)2 2 ( 5) ( 2) = 5 2 2 (5 2) = 5 2 2 10 = 7 2 10 Ex 1.4, 2 (iii) - Chapter a) Viewing window given: [− 2, 2] by [− 2, 2] [ - 2,2 ] text { by } [ - 2,2 ] [− 2, 2] by [− 2, 2]. Therefore, − 2 ≤ x ≤ 2; − 2 ≤ y ≤ 2-2 leq x leq 2;-2 leq y leq 2 − 2 ≤ x ≤ 2; − 2 ≤ y ≤ 2. Clearly, f (x) f(x) f (x) has two roots. As can be seen below, this window shows just Tabbed BY: Squasheee Capo 2 (All Chords relative to Capo on the 2nd fret) [Intro] A Fm A Fm Esus4 E 0 2 0 2 0 0 2 2 2 2 0 0 2 2 2 2 2 1 2 4 2 4 2 Song facts: “Another One Bites The Dust” was Queen’s best-selling single. Harmonica type: diatonic 2 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4Comments
I worked out a few myself, any bars can be ignored.X:1T:MarioZ:Earacorn of MeneldorM:4/4L:1/8Q:108E/2 E/2 z/2 E C/2 |E G z/2 G,2 |C z/2 G, z/2 E, z/2 A,/2| B, ^A,/2 A, z/4 G, |E G/2 A F/2| G E C D/2 |B,z2 C z/2 | G, z/2 E, z/2 A,/2 B, |^A,/2 A, z/2 G, E| G/2 A F/2 G |E C D/2 B,|z2 G ^F/2 |F/2 ^D E/2 z/2 A,/2| A,/2 C A,/2 C |D/2 z G ^F/2 F/2| ^D E/2 c c/2 c z |G ^F/2| F/2 ^D E/2 z/2 A,/2 A,/2 |C A,/2 C D| z ^D2 D2 C2 z/2|C/2 C/2 C | C/2 D E/2 C A,/2 | G,2 C/2 C/2 C C/2 | D E/2 z2 C/2 C/2 C C/2 D E/2 |C A,/2 G, z |E/2 E/2 z/2 E/2 z/2 C/2 |E G2 G,2 z/2 E/2 C/2 z/2 G,|G,/2 z/2 A,/2 F F/2 A,| z/2 B,/2 A A/2 A G F/2| E/2 C A,/2 G, z/2 E/2 C/2| z/2 G, G,/2 z/2 A,/2 F| F/2 A, B, z/2 F F/2| F E D C2|X:1T:ZeldaZ:Earacorn of MeneldorM:4/4L:1/8Q:108^A,2 F,2 F, ^A,/2 C/2 D/2 ^D F/2 F2 z/2F ^F/2 ^G/2 ^A z ^A ^A/2 ^G ^F/2 ^G ^F/2 F2 z/2 F2 ^D ^D/2 F/2 ^F z/2 F ^D ^C ^C/2 ^D/2 F z/2 ^D ^C C C/2 D/2 E z/2 G2 F F,/2 F,/2 F,/2 z/2 F,/2 F,/2 F,/2X:1T:Fur EliseZ:Earacorn of MeneldorM:4/4L:1/8Q:108E ^D E ^D E B, D C A, C, E, A, B, E, ^G, B,
2025-04-03Song facts: “Another One Bites The Dust” was Queen’s best-selling single. Harmonica type: diatonic 2 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -3 3 -32 2 2 222 3 2 -32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4 2 2 2 222 3 2 -3 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -3-2" -4 -3-3-3 -2" 32 2 2 222 3 2 -32 2 2 222 3 2 -3 3 -35 5 5 5 -5 7 -35 5 5 5 -5 -35 5 5 5 -5 7 -3-3 -3 -3 -3' -4
2025-03-28Colin HayOverkillthis is how the body of the song is played. the G string is there as an option which i use just use two fingers (preferably 1st and 4th). this should be pretty close to the one the scrubs episode my ovwer kill. Enjoy!D D/C#e|-------------------------------------------------------------------------|B|-------------------------------------------------------------------------|G|-7---7---7---7---7---7---7---7---7---7---7---7---7---7---7---7-----------| optionalD|-7---7---7---7---7---7---7---7---7---7---7---7---7---7---7---7-----------|A|-5---5---5---5---5---5---5---5---4---4---4---4---4---4---4---4-----------|E|-------------------------------------------------------------------------| C C/Be|-------------------------------------------------------------------------|B|-------------------------------------------------------------------------|G|-5---5---5---5---5---5---5---5---5---5---5---5---5---5---5---5-----------|D|-5---5---5---5---5---5---5---5---5---5---5---5---5---5---5---5-----------|A|-3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-----------|E|-------------------------------------------------------------------------| I can't get to sleepC C/BI think about the implicationsD D/C#Of diving in too deepC C/BAnd possibly the complicationsD D/C#Especially at nightC C/BI worry over situationsD D/C#I know will be alrightC C/BPerhaps its just my imagination Bme|-------------------------------------------------------------------------|B|-------------------------------------------------------------------------|G|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4-----------|D|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4-----------|A|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|E|-------------------------------------------------------------------------| Day after day it rea- Asus Ae|-------------------------------------------------------------------------|B|-3---x---x---3---x---x---3---x---2---x---x---2---3---2---2---2-----------|G|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---4---2-----------|D|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|A|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---0-----------|E|-------------------------------------------------------------------------| -ppears Bme|-------------------------------------------------------------------------|B|-------------------------------------------------------------------------|G|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4-----------|D|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4-----------|A|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|E|-------------------------------------------------------------------------| Night after night my heartbeat Asus Ae|-------------------------------------------------------------------------|B|-3---x---x---3---x---x---3---x---2---x---x---2---x---x---2---x-----------|G|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|D|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|A|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---0-----------|E|-------------------------------------------------------------------------| sho------------------ws the fear F#sus4 F# Gmaj7e|-2---x---x---2---x---x---2---x---2---x---x---2---x---x---2---x---1-------|B|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---3-------|G|-4---4---4---4---4---4---4---4---3---3---3---3---3---3---3---3---4-------|D|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---x-------|A|-4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---4---x-------|E|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---3-------| Gho------------------------sts appe---------------ar and fade----- G/Ae|-3---3---3---3---3---3---3---3---3---3---3---3---3---3---3---------------|B|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---------------|G|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---------------|D|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---------------|A|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---------------|E|-x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---------------| away------ Asus Ae|-------------------------------------------------------------------------|B|-3---x---x---3---x---x---3---x---2---x---x---2---x---x---2---x-----------|G|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|D|-2---2---2---2---2---2---2---2---2---2---2---2---2---2---2---2-----------|A|-0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---0-----------|E|-------------------------------------------------------------------------| Come back anothe---r day{Solo} played over the verse/Chorus-chords{verse 2}I can't get to sleepI think about the implicationsOf diving in too deepAnd possibly the complicationsEspecially at nightI worry over situationsI know will be alrightIt's just overkill{Chorus}Day after day it reappearsNight after night my heartbeat, shows the fearGhosts appear and fade awayGhosts appear and fade away
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2025-04-14Bass Tabs Artists: M Michael Jackson bass tabs Beat It (the Real Way) bass tabs ok for those of you who believe that you must tune your bass to drop d for this song ... listen to wut you are playing and then try and match it to0 the song ... no dice..tone deaf little weasles..anyway here is Beat it the right way.Chorus riff/intro riffG|———————————————————————————————————————————————————|D|—————————5—2——2——4—2——0—0—————————5—2——2——4—2——0———|A|———————2————————————————————————2——————————————————|E|———0—3————————————————————————0————————————————————|ok now here is the verse .. again i dont see why people insist on making things harder by sliding up the fret board but here is how i do it.G|—————————————————————————————————————————————————————————————|D|———2—2—2——0—0—0———2—2—2——0—0—0—————————0—0—0——2—2—2——0—0—0———|A|————————————————————————————————3—3—3————————————————————————|E|—————————————————————————————————————————————————————————————|play that 2 times then go into the chorus riff ok now after the second chorus the line goes like thisG|——————————————————————————————————————————————————————————————————————————————————————|D|——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——2—2—2——|A|——————————————————————————————————————————————————————————————————————————————————————|E|——————————————————————————————————————————————————————————————————————————————————————| |——————————————————————————————————————————————————————————————————————————————————————| |——2—2—2——2—2—2——2—2—2——0—0—0——2—2—2——0—0—0—————————0—0—0——2—2—2——0—0—0——2—2—2——0—0—0——| |————————————————————————————————————————————3—3—3—————————————————————————————————————| |——————————————————————————————————————————————————————————————————————————————————————| |——————————————————————————————————————————————————————————————————————————————————————| |—————————0—0—0——2—2—2——0—0—0——————————————————————————————————————————————————————————| |——3—3—3———————————————————————————————————————————————————————————————————————————————| |——————————————————————————————————————————————————————————————————————————————————————|then it goes back into the chorus riff for the rest of the song until it fades out ..and that is how you play beat it Other versions of Beat It
2025-04-12